{"id":7788,"date":"2016-06-18T10:11:29","date_gmt":"2016-06-18T14:11:29","guid":{"rendered":"http:\/\/billemory.com\/blog\/?p=7788"},"modified":"2016-06-18T10:17:38","modified_gmt":"2016-06-18T14:17:38","slug":"slideshow","status":"publish","type":"post","link":"https:\/\/billemory.com\/blog\/2016\/06\/slideshow\/","title":{"rendered":"slideshow"},"content":{"rendered":"<figure id=\"attachment_7789\" aria-describedby=\"caption-attachment-7789\" style=\"width: 1028px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/billemory.com\/blog\/wp-content\/uploads\/2016\/06\/160617-slideshow.jpg\" alt=\"Sprint Pavillion\" width=\"1028\" height=\"687\" class=\"size-full wp-image-7789\" srcset=\"https:\/\/billemory.com\/blog\/wp-content\/uploads\/2016\/06\/160617-slideshow.jpg 1028w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2016\/06\/160617-slideshow-300x200.jpg 300w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2016\/06\/160617-slideshow-768x513.jpg 768w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2016\/06\/160617-slideshow-1024x684.jpg 1024w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption id=\"caption-attachment-7789\" class=\"wp-caption-text\"><a href=\"http:\/\/www.look3.org\/schedule\/\">#Look3<\/a> continues. Pictured here, Friday Evening Projection offered range of images curated by the photography editors at TIME Magazine: Isadora Kosofsky, Stacey Kranitz, Myles Little and the photographers from &#8220;Inequality in a Time of the 1%,&#8221; Kristen Luce, Michael Marcelle, Christopher Morris, Laura Morton, Landon Nordeman, Stuart Paley, Thomas Prior, Emanuele Satolli, Mike Sinclair, Gaia Squarci, Gabriele Stabile, Peter van Agtmael, and others. This the tabula rasa, one of my favorites.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[8],"tags":[],"class_list":["post-7788","post","type-post","status-publish","format-standard","hentry","category-fishbones"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/7788"}],"collection":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/comments?post=7788"}],"version-history":[{"count":3,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/7788\/revisions"}],"predecessor-version":[{"id":7792,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/7788\/revisions\/7792"}],"wp:attachment":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/media?parent=7788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/categories?post=7788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/tags?post=7788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}