{"id":7424,"date":"2015-12-21T07:20:34","date_gmt":"2015-12-21T12:20:34","guid":{"rendered":"http:\/\/billemory.com\/blog\/?p=7424"},"modified":"2015-12-21T07:22:03","modified_gmt":"2015-12-21T12:22:03","slug":"still-point-2","status":"publish","type":"post","link":"https:\/\/billemory.com\/blog\/2015\/12\/still-point-2\/","title":{"rendered":"still point"},"content":{"rendered":"<figure id=\"attachment_7425\" aria-describedby=\"caption-attachment-7425\" style=\"width: 1028px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/billemory.com\/blog\/wp-content\/uploads\/2015\/12\/151125-sunrise-hseC.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/billemory.com\/blog\/wp-content\/uploads\/2015\/12\/151125-sunrise-hseC.jpg\" alt=\"Town Creek sunrise\" width=\"1028\" height=\"686\" class=\"size-full wp-image-7425\" srcset=\"https:\/\/billemory.com\/blog\/wp-content\/uploads\/2015\/12\/151125-sunrise-hseC.jpg 1028w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2015\/12\/151125-sunrise-hseC-300x200.jpg 300w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2015\/12\/151125-sunrise-hseC-1024x683.jpg 1024w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/a><figcaption id=\"caption-attachment-7425\" class=\"wp-caption-text\"><\/p>\n<blockquote><p>At the still point of the turning world. Neither flesh nor fleshless;<br \/>Neither from nor towards; at the still point, there the dance is,<br \/>But neither arrest nor movement. And do not call it fixity,<br \/>Where past and future are gathered. Neither movement from nor towards,<br \/>Neither ascent nor decline. Except for the point, the still point,<br \/>There would be no dance, and there is only the dance.<br \/>\n&#8211;T.S. Eliot, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Four_Quartets\" target=\"_blank\">The Four Quartets, Burnt Norton<\/a><\/p><\/blockquote>\n<p><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[49,18,28],"tags":[],"class_list":["post-7424","post","type-post","status-publish","format-standard","hentry","category-awe","category-change","category-riverine"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/7424"}],"collection":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/comments?post=7424"}],"version-history":[{"count":3,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/7424\/revisions"}],"predecessor-version":[{"id":7428,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/7424\/revisions\/7428"}],"wp:attachment":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/media?parent=7424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/categories?post=7424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/tags?post=7424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}