{"id":452,"date":"2010-05-28T07:11:11","date_gmt":"2010-05-28T11:11:11","guid":{"rendered":"http:\/\/billemory.com\/blog\/?p=452"},"modified":"2010-05-28T07:11:11","modified_gmt":"2010-05-28T11:11:11","slug":"fall-river-massachusetts","status":"publish","type":"post","link":"https:\/\/billemory.com\/blog\/2010\/05\/fall-river-massachusetts\/","title":{"rendered":"Fall River, Massachusetts"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/billemory.com\/blog\/wp-content\/uploads\/2010\/05\/cma1025-fall-river-bridge-n6295.jpg\" alt=\"rusted Charles Braga bridge over Mt Hope Bay\"><br \/>\nIron oxides yield pigments. Natural iron oxides pigments are called ochres. Many classic paint colors, such as raw and burnt siennas and umbers, are iron-oxide pigments. These pigments have been used in art since the earliest prehistoric art known, the cave paintings at Lascaux and nearby sites. Iron (III) oxide is typically used.&#8211;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Iron_oxide.\">Wikipedia<\/a><br \/>\nThere are many uses for oxides of iron. When I am driving across a bridge, I prefer the metal, if it&#8217;s thinking, to concentrate on its structural properties rather than reflecting on the value of rust.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iron oxides yield pigments. Natural iron oxides pigments are called ochres. Many classic paint colors, such as raw and burnt siennas and umbers, are iron-oxide pigments. These pigments have been used in art since the earliest prehistoric art known, the cave paintings at Lascaux and nearby sites. Iron (III) oxide is typically used.&#8211;Wikipedia There are &hellip; <a href=\"https:\/\/billemory.com\/blog\/2010\/05\/fall-river-massachusetts\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Fall River, Massachusetts&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[33],"tags":[],"class_list":["post-452","post","type-post","status-publish","format-standard","hentry","category-road"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/452"}],"collection":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/comments?post=452"}],"version-history":[{"count":3,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/452\/revisions"}],"predecessor-version":[{"id":456,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/452\/revisions\/456"}],"wp:attachment":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/media?parent=452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/categories?post=452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/tags?post=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}