{"id":11857,"date":"2021-07-13T11:03:18","date_gmt":"2021-07-13T15:03:18","guid":{"rendered":"http:\/\/billemory.com\/blog\/?p=11857"},"modified":"2021-07-13T11:03:18","modified_gmt":"2021-07-13T15:03:18","slug":"ozymandias","status":"publish","type":"post","link":"https:\/\/billemory.com\/blog\/2021\/07\/ozymandias\/","title":{"rendered":"Ozymandias"},"content":{"rendered":"<p><figure id=\"attachment_11858\" aria-describedby=\"caption-attachment-11858\" style=\"width: 1028px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/billemory.com\/blog\/wp-content\/uploads\/2021\/07\/210712-George-Rogers-Clark-statue-bw.jpg\" alt=\"remains\" width=\"1028\" height=\"639\" class=\"size-full wp-image-11858\" srcset=\"https:\/\/billemory.com\/blog\/wp-content\/uploads\/2021\/07\/210712-George-Rogers-Clark-statue-bw.jpg 1028w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2021\/07\/210712-George-Rogers-Clark-statue-bw-300x186.jpg 300w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2021\/07\/210712-George-Rogers-Clark-statue-bw-1024x637.jpg 1024w, https:\/\/billemory.com\/blog\/wp-content\/uploads\/2021\/07\/210712-George-Rogers-Clark-statue-bw-768x477.jpg 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption id=\"caption-attachment-11858\" class=\"wp-caption-text\">The monument&#8217;s trapezoidal base is made of rectangular-shaped blocks of polished pink granite set on top of each other. The stone is coarse grained with striations and imperfections that give it a rustic appearance in character with the frontier scene above. The base is unornamented, carrying only the inscription:<br \/>GEORGE ROGERS CLARK<br \/>CONQUEROR OF THE NORTHWEST<br \/>on the north facade facing University Avenue. -National Park Service<\/figcaption><\/figure><br \/>\nCrew at the remains of monument, July 12, 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Crew at the remains of monument, July 12, 2021.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":"","jetpack_publicize_message":"Ozymandias","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[58,18,32,29,63],"tags":[],"class_list":["post-11857","post","type-post","status-publish","format-standard","hentry","category-artifact","category-change","category-charlottesville","category-culture","category-history"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/11857"}],"collection":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/comments?post=11857"}],"version-history":[{"count":1,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/11857\/revisions"}],"predecessor-version":[{"id":11859,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/posts\/11857\/revisions\/11859"}],"wp:attachment":[{"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/media?parent=11857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/categories?post=11857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billemory.com\/blog\/wp-json\/wp\/v2\/tags?post=11857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}